<?xml version="1.0" encoding="UTF-8"?>
<rss xmlns:dc="http://purl.org/dc/elements/1.1/" version="2.0">
<channel>
<title>Faculty of Environment, Society and Design</title>
<link>https://hdl.handle.net/10182/4</link>
<description/>
<pubDate>Tue, 23 Jan 2018 17:45:38 GMT</pubDate>
<dc:date>2018-01-23T17:45:38Z</dc:date>
<item>
<title>Multiple dimensions of mediation within transnational advertising production: cultural intermediaries as shapers of emerging cultural capital</title>
<link>https://hdl.handle.net/10182/8912</link>
<description>Multiple dimensions of mediation within transnational advertising production: cultural intermediaries as shapers of emerging cultural capital
Kobayashi, Koji; Jackson, S. J.; Sam, M. P.
The paper re-conceptualizes cultural intermediaries as shapers of “emerging cultural capital” (Prieur, A., and M. Savage. 2013. “Emerging Forms of Cultural Capital.” European Societies 15 (2): 246–267; Savage, M., F. Devine, N. Cunningham, M. Taylor, Y. Li, J. Hjellbrekke, and A. Miles. 2013. “A New Model of Social Class? Findings from the BBC’s Great British Class Survey Experiment.” Sociology 47 (2): 219–250) and re-frames their practice of signification and negotiation as informed by “multiple dimensions of mediation.” Drawing on a case study of Nike’s transnational advertising production and interviews with key actors within the context of production, the paper examines how the creative/cultural labour process cuts across global and national fields of cultural production and consumption through which popular culture and middle-brow tastes were mediated, signified and represented. In particular, a television campaign for the Japanese youth market was critically analysed to reveal how specific new tastes, lifestyles and consumption practices were legitimized as emerging forms of cultural capital. Consequently, their taste-making practices are profoundly implicated in symbolic struggles and cultural changes emerging within/from the increasingly “globalizing” field of cultural production.
</description>
<pubDate>Wed, 16 Aug 2017 00:00:00 GMT</pubDate>
<guid isPermaLink="false">https://hdl.handle.net/10182/8912</guid>
<dc:date>2017-08-16T00:00:00Z</dc:date>
</item>
<item>
<title>From compliance to co-production: emergent forms of agency in sustainable wine production in New Zealand</title>
<link>https://hdl.handle.net/10182/8910</link>
<description>From compliance to co-production: emergent forms of agency in sustainable wine production in New Zealand
Rosin, Christopher; Legun, K. A.; Campbell, H.; Sautier, M.
This article engages with non-human agency through the interrogation of the emerging role of metrics in the governance of sustainability in the New Zealand primary sector. In it, we argue that the agency of the metrics builds on previous work that has elaborated the impact of audited best practice on the subjectivities of producers and processors, including the recent examination of the active influence of metrics that engenders unexpected and uncontrolled change in social networks of production. In this case, the analysis of the influence of metrics shifts to those used within a recently introduced ‘learning’ tool (Wine Industry Sustainability Engine) that can be classified as an effort in transition management. The capacity of metrics as agents is already apparent in the perceived interactions and engagements with the Wine Industry Sustainability Engine tool as expressed by likely users during assessments of the usability of initial pilot software. Using their response, we demonstrate that, despite intentions to use the tool to foster particular sets of practices and ethics through benchmarking, the metrics have multiple roles in production worlds—compelling compliance to regulations, creating new ways to communicate complex relations and practices, and generating information for reflexive self-evaluation. Through these roles, we argue, metrics clearly operate as both a material and ontological non-human actor, expressed in different ways in different assemblages. This conclusion has implications for the application of transition management more broadly, and helps us to better understand what we want metrics to accomplish, what they can accomplish, and the possible gap between the two.
</description>
<pubDate>Fri, 01 Dec 2017 00:00:00 GMT</pubDate>
<guid isPermaLink="false">https://hdl.handle.net/10182/8910</guid>
<dc:date>2017-12-01T00:00:00Z</dc:date>
</item>
<item>
<title>Research into genetically modified organisms in New Zealand: an examination of a sociotechnical controversy</title>
<link>https://hdl.handle.net/10182/8908</link>
<description>Research into genetically modified organisms in New Zealand: an examination of a sociotechnical controversy
Edwards, Sarah
New Zealand is known around the world as a country that is clean, green and “100% Pure.” The existence of genetically modified organisms in New Zealand is generally viewed as inconsistent with this identity, and there is therefore considerable public controversy surrounding research that utilises genetic modification techniques. In this paper, I examine the variety of interacting factors that are serving to shape this controversy, the influence it is having on research practices, and the implications for future risk management policy
</description>
<pubDate>Tue, 03 Oct 2017 00:00:00 GMT</pubDate>
<guid isPermaLink="false">https://hdl.handle.net/10182/8908</guid>
<dc:date>2017-10-03T00:00:00Z</dc:date>
</item>
<item>
<title>The Breathe Urban Village competition: why did it fail to deliver?</title>
<link>https://hdl.handle.net/10182/8905</link>
<description>The Breathe Urban Village competition: why did it fail to deliver?
Roberts, Lillian
Successful urban regeneration projects generate benefits that are realised over a much longer timeframe than normal market developments and benefits well beyond those that can be uplifted by a market developer.  Consequently there is substantial evidence in the literature that successful place-making and urban regeneration projects are usually public-private partnerships and involve a funder, usually local or central government, willing to contribute ‘patient’ capital. Following the 2010 and 2011 earthquakes that devastated the centre of Christchurch, there was an urgent need to rebuild and revitalise the heart of the city, and increasing the number of people living in or near the city centre was seen as a key ingredient of that. In October 2010, an international competition was launched to design and build an Urban Village, a project intended to stimulate renewed residential development in the city. The competition attracted 58 entrants from around world, and in October 2013 the winning team was chosen from four finalists. However the team failed to secure sufficient finance, and in November 2015 the Government announced that the development would not proceed. The Government was unwilling or unable to recognise that an insistence on a pure market approach would not deliver the innovative sustainable village asked for in the competition brief, and failed to factor in the opportunity cost to government, local government, local businesses and the wider Christchurch community of delaying by many years the residential development of the eastern side of the city. As a result, the early vision of the vitality that a thriving residential neighbourhood would bring to the city has not yet been realised.
</description>
<pubDate>Fri, 01 Dec 2017 00:00:00 GMT</pubDate>
<guid isPermaLink="false">https://hdl.handle.net/10182/8905</guid>
<dc:date>2017-12-01T00:00:00Z</dc:date>
</item>
</channel>
</rss>
